The Angel’s Game


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Product Description
From master storyteller Carlos Ruiz Zafón, author of the international phenomenon The Shadow of the Wind, comes The Angel’s Game—a dazzling new page-turner about the perilous nature of obsession, in literature and in love.

“The whole of Barcelona stretched out at my feet and I wanted to believe that, when I opened those windows, its streets would whisper stories to me, secrets I could capture on paper and narrate to whomever cared to listen . . .”

In an abandoned mansion at the heart of Barcelona, a young man, David Martín, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner.

Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed—a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more. But as David begins the work, he realizes that there is a connection between his haunting book and the shadows that surround his home.
Once again, Zafón takes us into a dark, gothic universe first seen in the Shadow of the Wind and creates a breathtaking adventure of intrigue, romance, and tragedy. Through a dizzingly constructed labyrinth of secrets, the magic of books, passion, and friendship blend into a masterful story.Amazon.com Review
Book Description
From master storyteller Carlos Ruiz Zafón, author of the international phenomenon The Shadow of the Wind, comes The Angel’s Game–a dazzling new page-turner about the perilous nature of obsession, in literature and in love.

“The whole of Barcelona stretched out at my feet and I wanted to believe that, when I opened those windows, its streets would whisper stories to me, secrets I could capture on paper and narrate to whomever cared to listen…”

In an abandoned mansion at the heart of Barcelona, a young man, David Martín, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner.

Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed–a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more. But as David begins the work, he realizes that there is a connection between his haunting book and the shadows that surround his home.

Once again, Zafón takes us into a dark, gothic universe first seen in The Shadow of the Wind and creates a breathtaking adventure of intrigue, romance, and tragedy. Through a dizzingly constructed labyrinth of secrets, the magic of books, passion, and friendship blend into a masterful story.


Carlos Ruiz Zafón on The Angel’s Game

Years ago, when I began working on my fifth novel, The Shadow of the Wind, I started toying around with the idea of creating a fictional universe that would be articulated through four interconnected stories in which we would meet some of the same characters at different times in their lives, and see them from different perspectives where many plots and subplots would tie around in knots for the reader to untie. It sounds somewhat pretentious, but my idea was to add a twist to the story and provide the reader with what I hoped would be a stimulating and playful reading experience. Since these books were, in part, about the world of literature, books, reading and language, I thought it would be interesting to use the different novels to explore those themes through different angles and to add new layers to the meaning of the stories.

At first I thought this could be done in one book, but soon I realized it would make Shadow of the Wind a monster novel, and in many ways, destroy the structure I was trying to design for it. I realized I would have to write four different novels. They would be stand-alone stories that could be read in any order. I saw them as a Chinese box of stories with four doors of entry, a labyrinth of fictions that could be explored in many directions, entirely or in parts, and that could provide the reader with an additional layer of enjoyment and play. These novels would have a central axis, the idea of the Cemetery of Forgotten Books, set against the backdrop of a highly stylized, gothic and mysterious Barcelona. Since each novel was going to be complex and difficult to write, I decided to take one at a time and see how the experiment evolved on its own in an organic way.

It all sounds very complicated, but it is not. At the end of the day, these are just stories that share a universe, a tone and some central themes and characters. You don’t need to care or know about any of this stuff to enjoy them. One of the fun things about this process was it allowed me to give each book a different personality. Thus, if Shadow of the Wind is the nice, good girl in the family, The Angel’s Game would be the wicked gothic stepsister. Some readers often ask me if The Angel’s Game is a prequel or a sequel. The answer is: none of these things, and all of the above. Essentially The Angel’s Game is a new book, a stand-alone story that you can fully enjoy and understand on its own. But if you have already read The Shadow of the Wind, or you decide to read it afterwards, you’ll find new meanings and connections that I hope will enhance your experience with these characters and their adventures.

The Angel’s Game has many games inside, one of them with the reader. It is a book designed to make you step into the storytelling process and become a part of it. In other words, the wicked, gothic chick wants your blood. Beware. Maybe, without realizing, I ended up writing a monster book after all… Don’t say I didn’t warn you, courageous reader. I’ll see you on the other side. –Carlos Ruiz Zafón

(Photo © Isolde Ohlbaum)

The Angel’s Game

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5 Responses to “The Angel’s Game”

  1. Dismal writing with stick-characters with no interior life whatsoever!What a drivel of a book.

    Repetitive use of the word undulating, spiders, cobwebs, and snakes all describe the utter failure of this book. How this book received critic’s praises in Northeast Papers, is probably worth more of a story than this disgraceful excuse of a story could ever offer.. At first I thought, “Surely this book is a film noir spoof on cheap Japanese crime pulp paperbacks.” To give any credulity to the seriousness of the book would mean to overlook the highly pretentious/contrived plots and would require a complete suspension of reality. The black and white German film, “City of Angels” did a much better job in portraying darkness. This book is a horrible

    rendition of the Mephistophelian tale or of old l930’s films on the man who sold his soul to the devil. What a fraud of a book to perpetuate on a non-suspecting reading public.
    Rating: 1 / 5

  2. mossy cat says:

    I shold have listened to the other reviewers who advised people to save their time and not bother with this book. Others wrote the ending leaves you hanging, is ambiguous, and fails to tie things up. I thought if I read it, I would understand the meaning, that I would get the same feeling I did when I read Shadow of the Wind…well, I did not grasp the big meaning, I did not feel gripped by the story, and I should have heeded the advice to skip this book. The first 2/3 is good, then it becomes a blood bath that is hard to follow. Save your time, save your money.
    Rating: 1 / 5

  3. Carol Miller says:

    “The Shadow of the Wind” is without doubt one of the finest literary achievements in recent history. Sublime in Spanish, it is possibly even surpassed by the remarkable translation of Lucia Graves, and “The Angel’s Game”, in Spanish, is as rich, beautifully written, original and thought-provoking as its predecessor. We look forward to the English-language version, with its incomparable use of language.
    Rating: 5 / 5

  4. M. Majury says:

    Update: 06.22.09

    I finished the book. At around 65-75% towards completion of the book, it lost all momentum and resolutions were patchworked together. It is almost like the author didn’t know how to end the book, so he grasped at straws to come up with neat or not so neat endings to conclude the book. The final confrontation between pro- and ant-ogonist was so weak I thought why did I invest 8 hours into reading this book to get this no-answer, not even mysterious ending. Plus, talk about creepy, borderline kiddy-adult relationship forced into a literary fix, in order to truly avoid finishing the interesting premise of the thought to it’s rightful end was just not right. Not good. Major let-down.

    06.21.09

    I read some of the other reviews that questioned the book’s brilliance. So, I started it, having read “Shadow..” which I read from start to finish in days, and was expecting it not to be as good. But, then I started reading it. I can’t exactly what happened in “Shadow”, just the transfixed memory of being lost in a world in which I had never been and I enjoyed it.

    We are never sure where this master storyteller leads us, but I always think I am moving in a direction he wants be to go in. I think I have it all figured out, but more interesting are the questions I start to ask myself about life and death; mortality; religion and what it’s exact function is and why is both a blessing and a curse; the master and servant relationship; obsessive love and why we can never forget our first love; who is the real diablo… and, why they really conncet with us to begin with; and, finally, the power of books, which reveal the soul of the author and why we connect again and again to the written word, no matter how seductive film and television are.

    If you want to question all of the above, and remember all these same questions, and many more, then this book will demand your utter attention. I began the book yesterday at 4:30 p.m. PST and have not stopped reading it… I will amend this review once I am finished. Which will be quite soon.

    Now, I’m up to page 252.
    Rating: 5 / 5

  5. Rita Sasso says:

    I read this book in Spanish as soon as it came out because I loved La Sombra del Viento. I was very disapointed. The author took Faust and placed him in Barcelona in the 20’s. The book is a great screen play and about 150 pages too long. There are two scenes, the one on the telesphere and the one in the house of the old witch in the Port of Barcelona that were inserted for movie special effects and could well have been left out of the text without been missed.

    I hope Ruiz Zafon takes some time out to really think about his writing and redirects himself to literature and forgets about writing screen plays.
    Rating: 1 / 5

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